Mouthpiece Work / polishing
FROM: arnoldstang3 (John)
SUBJECT: polishing
On reading a short article by Walter Grabner I got the impression he thought polishing was important beyond looking good. He was referring to the side and tip rails I believe. There seems to be a difference of opinion on what constitutes polishing. Are we actually taking material off or bringing something up or adding something? After roughing up the beak of a clarinet mouthpiece with a file I tried various methods to get a shine back just as an experiment that I could then apply to the rails. The back side of abrasive paper did bring back a bit of gloss after some vigourous rubbing. I tried adding some cork grease in the process but I'm not sure it did anything. Is there a scientific explanation of polishing? Many people equate a polishing motion with polishing. Obviously if you polish with a rasp you probably aren't polishing. I'm not trying to split hairs or be semantical here. It seems when polishing a car you actually are adding something to the surface. Are there any supporters of polishing rails for other than cosmetic reasons? I can't see many customers looking to see how polished any rail would be. Perhaps the baffle area might be more of a concern to them.
FROM: teoenwy (Tony Fairbridge)
SUBJECT: Re: polishing
These are slightly different processes. When polishing a car you are applying wax and then buffing the wax to a shine. If it is a cutting polish some of the oxidised paint surface is removed by the buffing, but if it is a gloss polish then nothing is removed except some of the applied wax. When you burnish metal you are not applying anything, you are smoothing the metal down to a uniformly smooth finish using finer and finer abrasives, removing some metal in the process. This includes the process of polishing metal with a cleaner such as Brasso, which is a combination of fine abrasive, oxalic acid and ammonia in an oil base. This formulation varies slightly by country to comply with local laws. The ammonia and oxalic acid serve to chemically remove surface tarnish, the abrasive to burnish the surface. Tony F. From: MouthpieceWork@yahoogroups.com [mailto:MouthpieceWork@yahoogroups.com] On Behalf Of John Sent: Monday, 12 December 2011 6:00 AM To: MouthpieceWork@yahoogroups.com Subject: [MouthpieceWork] polishing On reading a short article by Walter Grabner I got the impression he thought polishing was important beyond looking good. He was referring to the side and tip rails I believe. There seems to be a difference of opinion on what constitutes polishing. Are we actually taking material off or bringing something up or adding something? After roughing up the beak of a clarinet mouthpiece with a file I tried various methods to get a shine back just as an experiment that I could then apply to the rails. The back side of abrasive paper did bring back a bit of gloss after some vigourous rubbing. I tried adding some cork grease in the process but I'm not sure it did anything. Is there a scientific explanation of polishing? Many people equate a polishing motion with polishing. Obviously if you polish with a rasp you probably aren't polishing. I'm not trying to split hairs or be semantical here. It seems when polishing a car you actually are adding something to the surface. Are there any supporters of polishing rails for other than cosmetic reasons? I can't see many customers looking to see how polished any rail would be. Perhaps the baffle area might be more of a concern to them.