Mouthpiece Work / Mouthpiece from scratch
FROM: samuel.grego (samuel.grego)
SUBJECT: Mouthpiece from scratch
Hello everyone, Yes !! I want and I´ll make a mouthpiece from a block of wood. Sounds crazy ? Maybe, but I like the idea and I don´t know why .. So, I need the right information to get started .. I´m analyzing a Vandorem A45 V5 .. but I don´t like it at all. I want a very smoooooth sound, less brilhance also. Any welp with measure needed ? Any blueprints ? Any projects ? Forgive my English lacks, have anyone started a mouthpiece from 0 ? Thanks for you attention guys, Regards, Sam, Brazil
FROM: moeaaron (Barry Isaac Levine)
SUBJECT: Re: Report on Ebay Chinese "Otto"/"Maestro"
Hi all, I bought a silver-plated "Otto" Chinese-made (I presume, not labeled as such) tenor mouthpiece from Ebay seller violinking8. These were not listed as having any particular facing or chamber. I figured, at the price, it would be worth having to play around with, whatever it was. As it turns out, I found that they run from sizes "5-8" but with no info on what the actual tip opening is. What I received was a very nicely finished silver-plated mouthpiece labeled "A-7", with the word "Maestro" finely etched onto the top of the body, through the silver down to the brass. The tip opening measures 0.080" (using "Guto's Gauge", with tip on the center of the tip rail width). Tip rail width approx .03", as best as I can tell. The side rails are narrow, quite symmetric, except at the .002 gauge, where there is a 0.5mm difference between sides. For the record, a Link 7 is a 0.100" tip opening according to the Woodwind catalog, so this "7" has no relation to the Link numbers. Judging from the fine machining marks on the silver plating on the facing, I'd guess that the final facing was done after the silver plating. I'll compare it to a Ponzol M1 with a .095 tip opening, because I have one, which plays very well, and to which the "Maestro" has some similarities. (The "Maestro" doesn't play nearly as well well, but I hope to tweak it favorably.) It is chambered somewhat similarly to the Ponzol M1, with some differences. It has a step baffle that is a tad longer than than the Ponzol, ~1.30" (compared to ~1.15"). The step is about 0.17" high (compared to about 0.25" on the Ponzol). The window is 1.82" long (compared to 1.68" on the Ponzol). The table is about .025" narrower than the Ponzol A big difference is a largish rollover baffle that peaks about 3/8 inch from the tip rail. In comparison, the Ponzol has a nearly flat baffle, rolling off slightly just near the tip. The Link style ligature that came with the piece actually works well. Its knurled knob is easy to grip, and one can tighten it sufficiently to prevent sideways reed slippage. The facing measurements are as follows: Gauge Maestro A7 Ponzol M1 .002 41 44 .004 38 40 .007 34 36 .010 31 34 .014 28 28 .018 26 26 .024 22 22 .030 16 16 .050 10 11 .063 6 7 .071 4 4 .080 2 ~1 I realize some of these gauges are not standard sizes; some are made of several feeler gauges spot-welded together, and this is how they measured on the micrometer, never mind how they should have added up. FWIW, the facing curve on the Ponzol is a very easy-blowing one. Barry -- http://users.norwoodlight.com/barrylevine http://www.newjazzecho.com