Mouthpiece Work / Re: Digest Number 924
FROM: fraz_la_sax (FaM)
SUBJECT: Re: Digest Number 924
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FROM: FritzWhitney (Fritz Whitney)
SUBJECT: Re: Digest Number 924
> BTW I just reading about Carmen Leggio who is self taught sax player who > uses a "double" embourcre .. no teeths just lips .. > > My question .. "is there a dis advantage of using a DOUBLE embourcure"? > -- saves a lot on patches !! > The double embouchure has been used by many different players over the years, I even heard a rumor that Coltrane used a double embouchure at some point... I know many clarinet players who use double Fritz
FROM: ko4py (ko4py)
SUBJECT: Re: Digest Number 924
0Downside ... is stability. The downside of the double is that the support for the instrument is weaker and therefore in highly technical passages, especially where you have very few fingers on the instriment, it becomes a problem to play a lot of notes and keep the horn from moving all around. This is particularly true when stanging up. At clarinetfest 2003 in Salt Lake I actually saw a double-lip clarinettist play a solo concerto with an orchestra while sitting down so she could put the bell of the clarinet on her knee for stability. - B Smith --- In MouthpieceWork@yahoogroups.com, "Fritz Whitney" <fritzwhitney@...> wrote: > > > > BTW I just reading about Carmen Leggio who is self taught sax > player who > > uses a "double" embourcre .. no teeths just lips .. > > > > My question .. "is there a dis advantage of using a DOUBLE > embourcure"? > > -- saves a lot on patches !! > > > > > The double embouchure has been used by many different players over > the years, I even heard a rumor that Coltrane used a double > embouchure at some point... > > I know many clarinet players who use double > > Fritz >