Mouthpiece Work / DREAMS about the fixture and patenting
FROM: axakov (axakov)
SUBJECT: DREAMS about the fixture and patenting
Scenario: Imagine I've designed and built a nice mouthpiece holder presicely rocking the MP over a sandpaper, letting intermediate chamber works, measuring the curve / tip opening and blowing in it without MP repositioning in the holder. Some bent PVC tube with a second octave opening is attachable via quick coupling to get some idea how does it sounds. A thumb finger holds a reed during the 'play test'. If you wish a flat, you get it precisely where you want it and you control how wide it is. I am sending a couple equally finished MP to Mojo Bary for the examination he kindly test them and approves. At this point I've spent 500 bucks on a model. Being excited I'm buying a TIG welder able to weld aluminum (2 grands), order CNC machined parts and buy materials to build 5 units accordingly to amount of this group members willing to try 'demo' version. I spend 1 day on making each fixture. All 5 Volunteeres did not returned the fixtures and I made 200$ during that week. Being even more excited I am filling Patent applications, (US- provisional- 300$?, plus international ones 'PTC' and 'WO', all without a lawyer, let say 3000$ each). After that I realise that there are 40 people worldwide intersted in this thing and I cancel patenting and may be say buy to my mortgage. After all some company makes the fixture in China, bad quality, looks good, 50 bucks, sells through music shops and e-bay. People buy to have, not to use. I would glad to get a mature comment regarding this scenario. Thanks for reading. Dmitri