Mouthpiece Work / Tip rail question
FROM: kymarto (Toby)
SUBJECT: Tip rail question
Hi folks, I have a question about the effects of different tip rail thicknesses. Just as an experiment I took down the thickness of a couple of tip rails to about .5mm--about 1/50 of an inch. These are metal pieces, I wouldn't have dared with hard rubber, but anyway they play fine and seal well so I am happy with the result. It's hard to tell just how differently they play, although it seems to have reduced the resistance a bit if I'm not mistaken. On the other hand I have a Runyon piece with a very thick tip rail and it plays well too. I am wondering if any of you who have worked on a lot of pieces have noticed any consistent characteristics attributable to tip rail thickness. All other things being equal how does a thick rail compare to a thin rail? Thanks, Toby
FROM: kwbradbury (Keith Bradbury)
SUBJECT: Re: Tip rail question
Thin tip rails allow more of the reed to participate in generating sound. With a thick tip rail, you could position the reed farther away from the tip to get a similar effect, but it is not quite the same. It articulates faster when the reed tip is at the tip of the mouthpiece. I think the thin rail also adds some edge to the tone as you push the volume. It works well on a lead alto Meyer. Faster articulation, a little bigger sound, a little more edge. One negative is that the thin rail will not fit some reed brands depending on which shape you choose when making it. If you use a reed with a poor fit, I would just sand the edge of the reed lightly until it fits the shape of the mouthpiece. I generally shoot for .027-.032". Not ultra-thin (.018"). I eyeball the thickness using calipers. This is tough to get repeatable results so it is just a guide.