Mouthpiece Work / baritone facing
FROM: pjhmusic2004 (pjhmusic2004)
SUBJECT: baritone facing
Would someone please be so kind as to suggest a facing curve for a baritone mouthpiece that I am trying to give a good shape to. I would like a facing length that is not too short nor too long. And a tip opening that is not too close nor too open. The measurements at present are.. .0015 = 25mm .010 = 17mm .024 = 12mm .034 = 10mm .044 = 7mm .060 = 5mm tip = 2.16mm I really do not know how good or bad the above facing is. Any suggestions will be greatly appreciated. Best regards, Peter
FROM: kwbradbury (Keith Bradbury)
SUBJECT: Re: baritone facing analysis/recommendation
Your data for the existing facing curve indicates a pretty bad curve. The reading for the .060" feeler looks low. If true, there would be a flat section in the middle of the curve and quite a flip near the tip. I loaded a new Excel spreadsheet in the Files Methods area called "Facing Curve - message 1952". It has a plot of your curve compared to an arc of best fit and also a curve I would recommend for you to try. You current tip is .085". I recommended .095", without knowning anything about the type of playing and experiance level this is for. The curve is repeated below. 0.0015 50.0 25.0 mm 0.010 38.9 19.5 0.024 29.0 14.5 0.034 23.7 11.9 0.044 19.2 9.6 0.060 12.8 6.4 0.095 1.5 0.7 Tip is .095" = 2.41 mm
FROM: pjhmusic2004 (peterhepplewhite@...)
SUBJECT: Re: baritone facing analysis/recommendation
Thankyou Keith for your analysis. I always thought that there might be a flat spot somewhere. I will make modifications and will let you know my findings Many Many thanks. Peter
FROM: pjhmusic2004 (pjhmusic2004)
SUBJECT: Re: baritone facing analysis/recommendation
--- In MouthpieceWork@yahoogroups.com, "Keith Bradbury" <kwbradbury@y...> wrote: > Your data for the existing facing curve indicates a pretty bad > curve. The reading for the .060" feeler looks low. If true, there > would be a flat section in the middle of the curve and quite a flip > near the tip. I loaded a new Excel spreadsheet in the Files Methods > area called "Facing Curve - message 1952". > > It has a plot of your curve compared to an arc of best fit and also a > curve I would recommend for you to try. You current tip is .085". I > recommended .095", without knowning anything about the type of > playing and experiance level this is for. The curve is repeated > below. > > 0.0015 50.0 25.0 mm > 0.010 38.9 19.5 > 0.024 29.0 14.5 > 0.034 23.7 11.9 > 0.044 19.2 9.6 > 0.060 12.8 6.4 > > 0.095 1.5 0.7 > > Tip is .095" = 2.41 mm Keith, I have looked at the Facing curve spreadsheet that you have kindly put in the files section. Can I just check with you one of the figures. In the Blue column headed Data against the Feeler size 0.060 the Data is 5, Can you confirm that this is correct - should it not be 10 (giving a Diff of 2.8) I don't have excel, and am using microsoft works, which doesn't have a tools solver - and because of this it is taking me some time to utilize the spreadsheets, this is why I have been asking you about the facing curves. Please excuse my ignorance - I look forward to your reply,Thankyou for your patience. Best wishes, Peter.
FROM: kwbradbury (Keith Bradbury)
SUBJECT: Re: baritone facing analysis/recommendation
Yes, you are correct. I'll upload the corrected analysis. My suggested facing curve does not change.
FROM: pjhmusic2004 (peterhepplewhite@...)
SUBJECT: Re: baritone facing analysis/recommendation
Hi Keith, I have adjusted the baritone m/p in line with your suggested facing, and I must say it is now playing very well indeed. Many thanks for your advice Best regards, Peter
FROM: kwbradbury (Keith Bradbury)
SUBJECT: Re: baritone facing analysis/recommendation
Good to hear. All it takes is a good plan and good execution (craftsmanship). Congrats.
FROM: pjhmusic2004 (pjhmusic2004)
SUBJECT: Re: baritone facing analysis/recommendation
--- In MouthpieceWork@yahoogroups.com, "Keith Bradbury" <kwbradbury@y...> wrote: > Good to hear. All it takes is a good plan and good execution > (craftsmanship). Congrats. To go a little further... The mouthpiece now plays better than ever. As the tip opened up the baffle became higher, which produced squeaks, I remedied this using my penknife, lowering the baffle, which has rectified the problem. At the moment the tip rail is quite thin in comparison with the side rails. - Do you think that it would be a good idea to thin the side rails especially where the rails get closer to the tip rail??? Best Regards. Peter
FROM: kwbradbury (Keith Bradbury)
SUBJECT: Re: baritone facing analysis/recommendation
A thin tip rail is primarily good for a fast response. It can also be edgy and bright. Some player chirp more with thin tip and side rails. If the side rails are thick and wider than the reed, they can be trimmed from the outside. This probably wont change the sound but may help response a little. Some players notice a difference in comfort, some better, some worse, but its not a big deal. If the sides already match the reed, you can thin the side rails by opening the window. The largest effect will be from near the tip where the reed amplitude is the largest. The sound will get bigger and fuller. More of the reed is participating in creating sound instead of just flappin' against the (wide) side rails. One downside is that reeds might tend to wear out sooner. The very edges take a more concentated beating with thin rails. __________________________________ Do you Yahoo!? Yahoo! Domains � Claim yours for only $14.70/year http://smallbusiness.promotions.yahoo.com/offer
FROM: tenorman1952 (Paul Coats)
SUBJECT: Re: baritone facing analysis/recommendation
Yes, Keith, in fact, the corners of the reed are the part that take the most punishment. Thin tip and side rails also require perfect alignment of the reed to prevent chirping. I note that the Runyon 22 had wide side rails and a medium width tip rail. Santy called that his "squeak resistant facing", allowing some misalignment of the reed without problems for young beginners. But advanced players don't need "training wheels", they need response. Paul Keith Bradbury wrote: >A thin tip rail is primarily good for a fast response. It can also be edgy >and bright. Some player chirp more with thin tip and side rails. > >If the side rails are thick and wider than the reed, they can be trimmed >from the outside. This probably wont change the sound but may help >response a little. Some players notice a difference in comfort, some >better, some worse, but its not a big deal. > >If the sides already match the reed, you can thin the side rails by opening >the window. The largest effect will be from near the tip where the reed >amplitude is the largest. The sound will get bigger and fuller. More of >the reed is participating in creating sound instead of just flappin' >against the (wide) side rails. One downside is that reeds might tend to >wear out sooner. The very edges take a more concentated beating with thin >rails. > > > > > > >__________________________________ >Do you Yahoo!? >Yahoo! Domains - Claim yours for only $14.70/year >http://smallbusiness.promotions.yahoo.com/offer > > > >Got a Mouthpiece Work question? Send it to MouthpieceWork@yahoogroups.com > >Visit the site at http://groups.yahoo.com/group/MouthpieceWork to see the Files, Photos and Bookmarks relating to Mouthpiece Work. > >To see and modify your groups, go to http://groups.yahoo.com/mygroups >Yahoo! Groups Links > > > > > > > >