Mouthpiece Work / Where to start?
FROM: jimreed_45409 (jimreed_45409)
SUBJECT: Where to start?
Once I get some tools, does it matter whether I start experimenting with clarinet or alto, tenor, or bari sax MPCs (these are what I have around the house)? At the moment, I've been considering acquiring some Yamaha or Rico bari MPCs, even though they're plastic, since they're fairly inexpensive on eBay, and since I've been playing a bari fairly regularly, more so than anything else other than always going back to my alto, just for fun. Or, would I be better off to start with some rubber MPCs? Or does any of this matter, as long as I start measuring and working on some of what I have around?
FROM: kwbradbury (Keith Bradbury)
SUBJECT: Re: Where to start?
It does not matter a lot where you start. I think most beginners ruin 1-3 mouthpieces, so start with what you wont mind losing. I started on a clarinet and could not get the table flat until it was way overcut. I then filed the sides and practiced on the facing curve. Then I hacked away at the chamber some. Just getting a feel for each stage of the work is what you need. I was trying to make a playable piece, but I think it would have been less stressfull if I just accepted the 1st one was strictly for the feel of the tools and the cutting progress. The next one was easier, but still took a lot of time. Would you believe like 6-8 hours? It was a player though. I like working on the larger MPs better. Its easier for me to get inside the chamber and the facing work is more spread out. __________________________________________________ Do You Yahoo!? Yahoo! Health - Feel better, live better http://health.yahoo.com